Anna Robson Gartell, Painter and Sculptor

Thursday, 31 October 2013

In Opposition to Chaos, Aluminium



Posted by Anna Robson Gartell at 13:23 No comments:
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Cadmium Yellow Fold, Acrylic on Canvas



Posted by Anna Robson Gartell at 13:15 No comments:
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Titanium White Fold, Acrylic on Canvas


Posted by Anna Robson Gartell at 13:05 No comments:
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Thaw. Acrylic on White Quartz


Posted by Anna Robson Gartell at 09:29 No comments:
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Inner Light, Aluminium and Stainless Steel on Birch Ply and Wooden Structure.



Posted by Anna Robson Gartell at 09:05 No comments:
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Daytona Light Play, Birch Ply, Wood, Stainless Steel Bearings, Aluminium Composite Panels, Perspex, Audi Daytona Grey Paint and Acrylic Paint.





Posted by Anna Robson Gartell at 08:57 No comments:
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      • In Opposition to Chaos, Aluminium
      • Cadmium Yellow Fold, Acrylic on Canvas
      • Titanium White Fold, Acrylic on Canvas
      • Thaw. Acrylic on White Quartz
      • Inner Light, Aluminium and Stainless Steel on Birc...
      • Daytona Light Play, Birch Ply, Wood, Stainless Ste...
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About Me

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Anna Robson Gartell
Over many years, I have produced an eclectic range of art from botanical paintings, abstract work, representational paintings based on psychology and psychoanalytical theories, through to large installations combining sculpture and painting. My current practice combines materials to create textural paintings, which again are concerned with light and colour. Colour combinations are drawn from moments witnessed in a landscape or seascape. The main concerns in my sculptural work are light, colour, the reflections of colour, surface and tactile form. Aided by the transient ephemeral nature of light it explores evanescence, time and the phenomenology of colour. Tangible, tactile forms and surfaces draw attention to the intangibility of light and reflected colour. Using the language and materials of sculpture and painting it aims to create a discourse between the two practices. I wish to engage the viewer through their experience of light and colour.
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